Fortepan.us is an open source archival platform that is inspiring cultural heritage institutions to rethink and revolutionize digital archiving practices. Because Fortepan.us is designed as a "digital first" archive, we have been liberated to think differently about the structure and display of photographs online. Our inspiration (and name) comes from the Fortepan project based in Hungary. In building our prototype, Fortepan Iowa, we focused on curated high-resolution photos taken by ordinary Iowans over the nineteenth and twentieth centuries. We work with families, public libraries, and museums to build an alternative public history of Iowa based on family snapshots and everyday moments. Our Iowa prototype aims to represent the personal, whimsical, poetic, significant, and accidentally artistic moments of everyday Iowa life, and tell a rich story of the state’s overlooked diversity and complexity.

Place, time, and theme

Drawing upon the power of place, the Fortepan.us platform encourages family contributors and cultural heritage institutions within a single U.S. state or Indigenous territory to join digital forces by uniting the historical photographs in their holdings through a single interface.

These place-based photos are also organized according to time: thousands of photos from the same state or territory, across multiple collections, are situated along a timeline so all historical photographs are immediately contextualized alongside other photos from the same year. This gives users the feel of a collective family album that tells the visual story of a region or town. Users can view the photos in chronological order two ways: full-size in timeline view or 12-at-a-time in grid view. Filtered versions of the archive are also displayed chronologically (for example, all photographs from a single town; all photographs tagged “living room” or coming from a single donor/collection; all photographs documenting a cultural practice, like playing baseball) to digitally communicate the evolving “story” of these places, technologies, families, and practices. In this way, the photographs across collections can talk to each other and build meaning collectively.

Finally, Fortepan.us is a powerful tool for grouping photographs by theme. We have a list of controlled category terms (currently customized to Iowa, like “barns” and “farms”) that administrators apply to each photo in the archive to increase its findability by subject. Descriptive tags offer an even more detailed layer of thematic grouping, offering users a convenient entry point to photographs that resonate with their interests and experiences. While we administrators can assign tags (and we do), the Fortepan.us platform is built to encourage crowd-sourced tagging so our users can share their expertise in describing a photograph’s content.

Through the platform’s “MyList” option, users can further build as many customizable lists as they want based on the relationships or connections they make between photographs, save these lists for future reference, share them with others, and even embed them into a website. Since all tags in a photo’s info box are also active links, users can follow a theme across the whole archive (what we like to call "tag surfing”)—another enjoyable path for exploration. The Fortepan.us archive thus increases accessibility, offers joyfully immersive photo searching, and inspires ardent participation in the tagging and interpretation of the images shared publicly online. There are also multiple ways to share high-resolution Fortepan.us photos with others, and even embed any version of the platform into another website.

Why Fortepan?

The Fortepan.us project duplicates and builds upon the hugely successful Hungarian public website Fortepan, an interactive photo chronology developed by Miklós Tamási and András Szepessy in 2009. They chose the name “Fortepan” to pay homage to the Hungarian company FORTE, which made the popular black and white negative film called "Fortepan." Fortepan film and paper were sold throughout the world after World War II until 2001.

Fortepan film

It’s appropriate that we name the archive “Fortepan,” since many of the images, especially in Hungary, were taken with Fortepan film. Today, Fortepan is more of a concept for displaying high-resolution photos and sharing them for public use. As Fortepan’s first “sister” site, Fortepan.us is primed to bring layers of understanding and engagement to local history.


Beyond the unique timeline orientation and crowd-source tagging capabilities of Fortepan.us, here is a list of current open source platform innovations:

An Open CC Project for the Public Good

Every high resolution Fortepan.us photograph is shared with the Creative Commons (CC) with a liberal CC-BY-SA 4.0 license, so users can freely download images for creative reuse as long as image contributors and the archive are attributed. For more information on terms of use or photo contributions, go to the Use and Contribute links (also found in the navigation menu).

Our team developed the kronofoto open source data management platform (available on github) to power the Fortepan.us project. Fortepan.us, which represents the presentation of the kronofoto data, is also open source, and will also be available on github soon.

The Fortepan.us platform infrastructure will soon be able to support photographs from every state (Fortepan Connecticut is up next!). We are searching for Indigenous partners interested in creating a separate and autonomous Fortepan FirstNation project based on this platform.

Our Team

Behind Fortepan.us is an interdisciplinary team of scholars, practitioners, and developers–many based at the University of Northern Iowa–who come from disciplines outside of traditional archival communities. Our experience with creative and geography-based interactive web development has allowed us to bring fresh ideas to online archiving platforms, set up cultural heritage institutions to better serve their patrons and website users, and reimagine what is possible for local history engagement.

Bettina Fabos— DIRECTOR
Bettina Fabos is Professor of Interactive Digital Studies and Visual Communication at the University of Northern Iowa. She is an award-winning producer of digital history projects and researches noncommercial digital archiving, the Creative Commons movement, and interactive timelines.

Kristina Poznan is a public historian who promotes community engagement through digital humanities projects. In addition to building out the Fortepan concept for future sites, she currently serves as the editorial associate at “Enslaved: Peoples of the Historical Slave Trade.” She has taught public history and digital history at La Salle University and New Mexico State University.

Noah Doely is Associate Professor of Digital Photography at the University of Northern Iowa. He works with 19th-century photographic processes, pinhole cameras, digital collage and video, and is drawn to photography’s complicated relationship to truth and verifiability and its paradoxical ability to evoke both trust and skepticism (see http://www.noahdoely.com/). Noah has received national and international attention for his work. He curates Fortepan Iowa.

Anastasia Parsons—CURATOR
Anastasia Parsons is an artist and Youth Librarian at the Cedar Falls Public library. She also has experience working in archives and is especially attuned to public art and outreach.

Dana Potter— DESIGNER
Dana Potter is Assistant Professor of Interactive Digital Studies at the University of Northern Iowa. Combining art and technology, Dana’s work uses biometric and sensory tools to create visual data for creative projects, and explores eye-tracking, geolocation mapping, computer-mouse movement recordings, and facial recognition (see http://www.danapotterart.com/). Dana designs the Fortepan Iowa platform, and curates the archive with Noah Doely.

John DeGroote is Director of the GeoInformatics Training Research Education and Extension (GeoTREE) Center at the University of Northern Iowa. He coordinates Fortepan Iowa’s development and mapping technologies, including augmented reality initiatives with geolocated historical photos in a 360º plane.

Jonathan Voss— DEVELOPER
Jonathan Voss is the GeoTREE Center Application Developer. He continually upgrades Fortepan Iowa’s back end and develops new mapping and geolocation technologies.

Stephen O'Baker is an organist by training, and somehow found himself in the world of software development. He is working towards his B.S in Computer Science at Iowa State University and plays the organ at Faith Lutheran Church in Clive.

Isaac Campbell is a Master’s Student in Communication and Media at the University of Northern Iowa. A video producer, public wheat paste artist, and Creative Commons disciple, Isaac’s work involves cultural memory studies and vernacular photography. He is the outreach coordinator for Fortepan Iowa.


Dana Atwood-Blaine is an Assistant Professor of Curriculum and Instruction in Science Education at the University of Northern Iowa. Dana’s expertise lies in Augmented Reality game-based learning. She is working with the Fortepan Iowa team on augmented reality experiences.

Laura Edwards is an Assistant Professor of Curriculum and Instruction in Social Studies Education at the University of Northern Iowa. Her work addresses critical literacy within a social justice framework. She coordinates and plans the curricular materials related to Fortepan Iowa.

Philip Hopper is an Associate Professor of Digital Media at the University of Northern Iowa. His work concerns vernacular image-making that addresses political conflicts. Phil is involved with Fortepan Iowa’s global outreach.

Jaycie Vos is the Special Collections Coordinator, University Archivist, and an Assistant Professor at the University of Northern Iowa’s Rod Library. Jaycie developed the category terminology for Fortepan Iowa.

Janet Croft is an Associate University Librarian and Associate Professor at the University of Northern Iowa’s Rod Library.

Nathan Arndt is Assistant Director and Chief Curator of Museums and Collections at the University of Northern Iowa.

Allison Guild is a Library Assistant at the University of Northern Iowa’s Rod Library.

Jeanne Little is a Library Assistant at the University of Northern Iowa’s Rod Library.

Gregory Colati is Archivist and Digital Librarian at the University of Connecticut, and Director of the Digital Preservation Repository Program (CTDA).

Leisl Carr Childers is an Associate Professor of History at Colorado State University. She is an original co-founder of Fortepan.us

John Davis is a software engineer at John Hopkins University. He is an original co-founder of Fortepan.us

Lindsay Mattock is an Associate Professor of Library Science at East Carolina Universityins University.

Contact fortepaniowa@uni.edu

FI0002410, 1953, Waterloo, IA, donated by Beverly Cook; FI0001375, 1939, IA, donated by Erik Walker; FI0001965, 1900, IA, donated by Alfred Becker. All images licensed CC-BY-SA 4.0.

This document was created by Bettina Fabos and is licensed under a Creative Commons Attribution 4.0 International License.